![]() ![]() ![]() UK parliament has been examining the issues around artist remuneration as part of its inquiry into the economics of music streaming, which concluded in March and is expected to produce a report of its findings this summer. The World Intellectual Property Organisation, an agency of the UN, boosted the campaign by arguing this month that “streaming remuneration likely should be considered consideration for a communication to the public right,” as radio is. Other musicians newly backing the campaign include Simon Le Bon, Brett Anderson, Chrissie Hynde, Supergrass and Two Door Cinema Club. The campaign is also calling for a regulator for the streaming sector. The campaign wants to see a change made to the 1988 Copyright Act, so that royalties are paid via a performing rights organisation, just as they are for radio plays. “Today’s musicians receive very little income from their performances – most featured artists receive tiny fractions of a US cent per stream and session musicians receive nothing at all.”Īs is stands, streaming royalty rates are set by individual companies, and paid to artists either directly or via their record label. “The law has not kept up with the pace of technological change and, as a result, performers and songwriters do not enjoy the same protections as they do in radio,” the letter states. It argues that streaming via services such as Spotify and Apple Music be legislated more like radio. The campaign, headed by the Musicians’ Union, Music Producers Guild, Ivors Academy and the #BrokenRecord initiative, began in April with signatories including Paul McCartney, Kate Bush and members of Led Zeppelin. Decem11:31AM Comedy Albums by John Mulaney, Patton Oswalt Removed From Spotify Amid Royalties Battle Kevin Hart, Tiffany Haddish, Jim Gaffigan and dozens more members of creator’s. ![]()
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